Buy An American Werewolf in London Blu-Ray at Amazon. • 12.20.09
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Buy An American Werewolf in London Blu-Ray at Amazon..
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1981 was The Year of the Werewolves…the furry fiends leaped onto movie screens in three major films: “The Howling,” “Wolfen,” and the classic of the genre, “An American Werewolf in London.” There has never been a greater werewolf film, there has never been a better transformation scene, and few anxiety movies can match the appealing mixture of humor and scares that writer/direction John Landis (”Animal House,” “The Blues Brothers”) achieved here.
Although there had been humor in fright films before this movie, “An American Werewolf in London” showed once and for all that having comedy in a anxiety film didn’t mean that the film would lose out in the dismay department. Landis makes it definite that the film is NOT a comedy — the terror scenes are carried with dead-seriousness and unpleasant impact — but there is so powerful quirky humor surrounding these scenes that the film becomes incredibly likable and buoyant. Most of the laughs approach from seeing the musty movie werewolf premise dropped into the unique day and watching the characters try to deal with it.
Actors Griffin Dunne and David Naughton, neither of whom had been in a movie before, obtain a fabulous ‘ordinary guy’ feeling to their characters of two young American boys backpacking through Europe. In rural England, they have a immoral encounter with a legendary monster, and Naughton faces the consequences of being bitten when he returns to London and takes up living with a magnificent nurse (Jenny Agutter) .
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The transformation scene is justly noted and a milestone in visual effects. Make-up wizard Rick Baker lets the viewers sight a real-time twisting of a human body into a wolf shape: limbs stretch, snouts pop, hair grows, the body contorts…it’s improbable to explore. (And on DVD, you can spy it over and over and over again) . Even computer graphics can’t do an do as startling as this one.
This DVD offers some nice extras. The image is satisfactory, and the 5.1 Surround Sound is decent (although there’s not a lot of benefit speaker sound) . Actors Naughton and Dunne do feature commentary on the film, and provide some lively information and sound as if they were having a ample time reliving the experience. I wish that Landis had been on the commentary as well, but you can hear his thoughts on the film in an 18-minute interview. Landis is an absolute hoot to listen to; the guy is as silly as his movie, and he absolutely bursts with ideas and observations. To go along with the Landis interview is an 11-minute interview with make-up maestro Rick Baker. He provides a engrossing seek at crafting what he calls “the coolest werewolf film ever made.” Also included is a vintage featurette on the making of the film, although it’s only about five minutes long (but you come by more of wise-cracking John Landis), ten minutes of archival footage of Baker making a cast of David Naughton’s hand, and an assortment of storyboards, outtakes, and production photos.
“An American Werewolf in London” is a major turning point in panic films and visual effects — and even over twenty years later, it is smooth one of the most engrossing movies of its decade. It hasn’t customary at all, and this DVD lets you experience it the arrangement it should be seen (and in the company of wild-man John Landis!)
This is one of the few movies that have consistently given me nightmares since I was a child. It is at least a decade ahead of its time. Most of the negative criticisms that I have read exercise the word “uneven” a lot. Even Roger Ebert, whom I love, claimed that the humor and the dismay were an uneasy mix. This was years before he gave the movie Bawl a obvious review. Now I LIKE the movie Weep, but there is no draw that one can claim that it gets the balance upright whereas Werewolf gets it detestable. Bellow simply benefits from occurring in the cynical nineties – Werewolf suffers from being avant guard. .
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The original DVD has a few beneficial extras on it – especially a novel interview with Landis. Even after all these years, the film unruffled holds up. Unlike most films, I seek more things in it the more I search for. What, for instance, is up with the townsfolk of East Proctor and what is their relationship with the current werewolf? My guess – they brought it on themselves somehow. Maybe one of their beget ran over a gypsy and was cursed. Instead of killing the bloke, they all resolve to shroud beneath the pentangle in The Slaughtered Lamb every rotund moon.
I am recently returned from England and this movie is listed in Fodor’s as one of the films that best showcases London. I heartily agree. I visited the corrupt tube end at Tottenham Court Road and it smooth looks great the same as when the David made his slay there. And as I walked, alone in the countryside, beneath the light of the beefy moon, I had to ask myself, “Am I crazy? ” Fortunately, I made it to the pub. There I waited, beneath the pentangle, for my friends to coast me home.
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